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Pedalling is essential to creating the magical sounds called for in the piano music of Debussy. The moods, atmospheres, and far-off lands he conjured cannot be evoked without skilful use of both the sustaining and the una corda pedals. In my experience students respond very positively to this music once they are taught to search for Debussy’s very clear indications of when to engage and also to release these pedals. Debussy very rarely employed the “Ped.” indication that was introduced […]
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